![]() ![]() Dark passions and dangerous desire are central themes in gothic stories – small wonder LGBTQ+ audiences, often taught from childhood that their sexuality is an aberration, flock to gothic cinema for representation (even the Twilight movies have a devoted gay tween following). Early horror cinema, made when homosexuality was regarded at best as unspeakable, at worst as an abomination, embraced these sexual deviants as another means to unnerve their audiences. But these portrayals were not always unsympathetic. Since then, gay gothic films have flourished, and continue to break barriers. (2012), the first children’s film with an openly gay character, is steeped in gothic horror conventions, albeit with a PG certificate. Situs download film bioskop indonesia terbaru 2017 (terlengkap dan terbaru) - Banyak orang kalau sudah terhubung ke internet biasanya mereka banyak yang ingin memutar video secara online (streaming). Film Horor Komedi Indonesia - Aktor Film Indonesia. Curhat Film Gratis: Nonton Film Horor Indonesia Gratis. Page not found - Situs Event Indonesia. The marriage of queerness and gothic as spilled over into mainstream television – think Willow, the nervy lesbian witch in (1997-2003), or several of the male vampires in (2008-). 10 to try Each of the recommendations included here is in the UK. Mischief and a sly sense of humour permeate a lot of gay horror films, verging from sneaky subversion to bawdy parody. The titillating blend of horror and homosexuality has lead to a countless number of lesbian vampire movies, made mostly for a straight male audience. It’s even made its way into porn – see 1983’s Gayracula (actually don’t, it’s less fun than it sounds). But it’s not all fun and games, as monstrous transformation or terror from society can serve as a metaphor for the isolation many LGBTQ+ viewers have felt. Many of these films were made when reference to homosexuality on screen was forbidden, yet shrewd directors and screenwriters were able to dodge the censors through suggestion and metaphor. So clutch your crucifix and join us on our dark voyage into the gothic underworld of gay horror films The Old Dark House (1932) Director James Whale. The Old Dark House (1932) Less than five years into the talkies, and the gays are already hijacking the horror film., perhaps best known for his Frankenstein films, plays with the still-fresh conventions of the haunted house subgenre. A couple of newlyweds seek shelter from a storm at the old, dark house of the title, and are confronted with an eccentric man on the run from the police () and his religious fanatic sister (). Plays the monstrous mute butler, while something wicked lurks in a locked room above. The results are wonderful, both funny and, at times, genuinely sinister. In a poignant moment at the end of the film, a homosexual relationship is suggested between two unlikely characters, while a key role of an ancient man is played by one, an early cinematic example of a woman donning male drag. It wouldn’t be the last time openly gay director James Whale queered the horror film Bride of Frankenstein (1935) Director James Whale. Bride of Frankenstein (1935) It’s that Whale again. After playing ’s tale straight in 1931, his sequel had other ambitions. Boris Karloff’s creature again finds himself shunned by society for his despised condition, finding solace only in his relationship with a blind man. Meanwhile, his creator is also enduring a night steeped in gay metaphor. Coaxed away from his wedding night bed by the flamboyant Doctor Pretorius (Ernest Thesiger), Frankenstein is encouraged to create “a new world of gods and monsters” through the creation of a mate for the monster. Some critics sneer at the queer reading as being a modern folly, but the film’s sensibility is undeniable, while Whale and Thesiger (and, it has been rumoured, Clive) were gay. A 1936 novelisation of the film made Pretorius’s leanings clearer still. ’s astonishing appearance as the Bride didn’t spawn a thousand drag imitators, but it should have. Dracula’s Daughter (1936) Director Lambert Hillyer. Dracula’s Daughter (1936) Whereas ’s Dracula was an evil fiend, his daughter is given a more sympathetic portrayal in this sequel, with ’s elegant countess seeking to rid herself of her murderous addiction. Sadly, her attempts fail, and the corpses start to pile up.
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Март 2019
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